THE SADDEST NOISE
THE SWEETEST NOISE

A multidisciplinary project based on the poems of Emily Dickinson
by Giacomo Vezzani and Giacomo Pecchia
Produced by MAT-Movimenti Artistici Trasversali

“This is my letter to the World”, un “Her Message is committed / To Hands I cannot see —” this was the definition that the American poet Emily Dickinson gave, in verse, of her own poetry (441).

Sepia portrait of Emily Dickinson

Yet it is all written in her poetry, in her letters. Emily lives a second life, in poetry that is imagination, discovery, meditation, and the search for the meaning of existence itself, in the only dimension possible: solitude.

Emily Dickinson's Wild Nights manuscript

Much has been said about Emily Dickinson, about her decision to shut herself away from the world, dressed in white, due to disappointment in certain loves, or others lost.

born from

It was in the solitude of collective isolation that Giacomo Vezzani composed the pieces that pay homage to the poet. There are eight compositions, chosen by Vezzani from among the more than 1,775 with which Dickinson shares with us her long exploration of existential themes that afflict us or simply her observations of phenomena that hearten us. Happiness, sacrifice, hope, pain, the passing of time, the awareness of death, the volcanic energy of love or poetry. An intimately felt choice among some of the themes that make up an immense and at times convulsive poetic corpus. A choice with which Giacomo Vezzani has skillfully re-composed music and words in a dedicated album.

In order to encourage experimentation with different sensibilities using the common heritage of Emily Dickinson’s poetry and with the aim of breaking down the barrier that poetry belongs only to literature, an installation, a second album, and a musical performance have been created.

Go to genesis

Enjoying the exhibition: a boy observing the open chest in the dark while listening to the related song through earphones connected to the chest.

reviews

This synergy between literature, theater, music, and the visual arts aimed to highlight the semantic depth, expressive richness, and relevance of Dickinson’s verses, guiding young viewers along a path of “evocative staging” and participatory learning.

Inerba, 07/01/2025

It is difficult to put into words something that lives and plays upon emotions.
Something that speaks to the mind, but also to the soul. And it does so through Dickinson’s words, which unfold over Vezzani’s sounds. Sounds that at times recall David Sylvian, at times Talk Talk, and that immerse the listener in an atmosphere that is somewhat dreamy, somewhat dark, yet always lets that ray of sunshine peek through the clouds, no matter how heavy they may be.

Federica di Spilimbergo, Sky Stone & Songs 20/11/2022

A sound born from the word, a harmony born from a phrase, a musical form generated from a poetic concept. A work of artistic synesthesia, a kaleidoscope of sounds and colors in the service of the word.

Francesco Vannini, rockit.it 18/11/2022

Wrapped in music, we can enjoy Dickinson’s poetic content on various sensory levels, represented by artists who have used highly personal and very different languages.
Among those we viewed, we especially appreciated Roberta Checchi with her craftsmanship of fabrics and embroidery, sustained by delicate threads, which—thanks also to the chosen lighting—vibrates with suggestions that are at once dark and soothing.

Luciano Ugge, persinsala.it, 24/11/2022